If movement direction is about anything, it is about trust and communication. Over the last years, I’ve noticed more needs within the fine lines of my work and how much coaching can help talent execute.

Dealing with feedback, criticism, nerves, and insecurities can erode much of the spirit of talent, leaving them feeling lost or overwhelmed on set.

As a movement director and coach, I’m the first contact to talent on set, and it’s my job to make their day as successful and productive as possible. guiding and coaching them through scenes and shots i take serious.

From working with known artists and athletes to introverts, influencers, poc, queers, and hyper-energetic individuals.
by supporting, challenging, and coaching one-on-one, or making everyone feel included and seen when working with larger groups.

The collective effort makes the difference between a good and an excellent production.